As COVID-19 emerged as a phenomenon of the total environment, and despite the intertwined and complex relationships that make humanity an organic part of the Bio- and Geospheres, the majority of our responses to it have been corrective in character, with few or no consideration for unintended consequences which bring about further vulnerability to unanticipated global events. Tackling COVID-19 entails a systemic and precautionary approach to human-nature relations, which we frame as regaining diversity in the Geo-, Bio-, and Anthropospheres. Its (...) implementation requires nothing short of an overhaul in the way we interact with and build knowledge from natural and social environments. Hence, we discuss the urgency of shifting from current to precautionary approaches to COVID-19 and look, through the lens of diversity, at the anticipated benefits in four systems crucially affecting and affected by the pandemic: health, land, knowledge and innovation. Our reflections offer a glimpse of the sort of changes needed, from pursuing planetary health and creating more harmonious forms of land use to providing a multi-level platform for other ways of knowing/understanding and turning innovation into a source of global public goods. These exemplary initiatives introduce and solidify systemic thinking in policymaking and move priorities from reaction-based strategies to precautionary frameworks. (shrink)

Questa raccolta di saggi, inserita nella collana sui classici della filosofia politica, conferma la ricchezza e la complessità della riflessione di Machiavelli e documenta anche la piena legittimità della sua collocazione nell’ambito della tradizione filo.

Why are people and institutions more inclined to tolerate a street art piece rather than a graffiti tag? Even if legally authorized, graffiti still largely epitomizes a symptom of urban decay, while municipalities hire street artists to rehabilitate poor neighbourhoods with their stunning artworks. Starting from this assumption, the aim of this article is to understand the political roots of such negative attitude towards graffiti in the western imaginary. In doing so the article addresses graffiti as an epistemological object. First, (...) by following Jean Baudrillard, who looks at graffiti as a counter-colonial phenomenon rather than a form of self-expression, the article explores and debunks the most common epistemological attitudes towards graffiti. Second, through an accurate historical and political analysis of New York’s welfare and city planning policy, it is shown how graffiti became a pivotal topic in the politics of demonization and exclusion of the ethnical minorities during the Reagan presidency. Drawing from Craig Watkins’ notion of ‘ghettocentric imagination’ – a racial discourse produced by emphasizing images of inner-city villainy within American film production – the ideological use of graffiti aesthetics in visual communication is termed ‘toxicscape’. By displaying ‘toxicscapes’, American narrative cinema uses graffiti as fetishist visual objects that drive the audience in perceiving graffiti (and events or characters related to them) as ‘toxic objects’. Therefore, in the second part of the article, a reconstruction of the American conservative discourse involving graffiti is proposed. The text analyses toxicscapes by focusing on action-crime films of the 1970s and 1980s, such as Death Wish (Winner, 1974), Fort Apache, The Bronx (Petrie, 1981), Escape from New York (Carpenter, 1981), Colors (Hopper, 1988) and Batman (Burton, 1989). Finally, hip-hop visual narratives like Wild Style (Ahearn, 1983), Bomb the System (Lough, 2002), The Graffiti Artist (Bolton, 2004) and The Get Down (2016) are addressed as an alternative to the toxicscape for their employment of graffiti in a more progressive and dramaturgical sense. In conclusion, graffiti appear to be challenging ideological and epistemological objects. Therefore, a more accurate analysis of the graffiti discourse that stemmed in the 1970s and 1980s would provide a more critical and sophisticated perspective to the understanding of contemporary ‘street art’s’ political and cultural investment. (shrink)

Recordando a Bachelard a medio siglo de su muerte (2011) -- Filosofia de la relatividad (2011) -- La proliferación de los conceptos de especie en la biología evolucionista (2010).

Digital communication technologies led to a revolution in how people interact at work: relying on computer-mediated communication technologies is now a must, rather than an alternative. This empirical study investigates how colleagues in a virtual team use synchronous online communication platform in the workplace. Inspired by the conceptualisation of web-based communication platforms as tool, place or context of social construction, we explore the discursive strategies that contribute to the construction of the team’s shared sense of purpose and identity, a collegial (...) atmosphere and consequently lead to effective collaboration. The close analyses of real-life data from a multinational workplace provide insights into the everyday communication practices of virtual team members. Our findings supplement organisational literature based on etic observations of the effectiveness of virtual work and provide a basis for further theorisations about how communication technologies affect the ecology of and discourse practices in computer-mediated communication at work. (shrink)

Volume 19, Issue 9, September 2019, Page 37-39.

A citizen of Early Renaissance Florence that stepped out into the streets and entered the spaces of his civic world joined a concert of creative formal behaviors in which he was at once an actor and a spectator. His problem here was to interpret the complex web of overlapping, conflicting and simultaneous meanings he would have read in the actions and images by which the community directed him and represented itself, and find his own place and set his standing. On (...) most occasions he would probably have elected for a state of suspension, a floating of multiple possibilities he was loath to precipitate in too stable a form: in ambiguity the citizen of Florence developed a richness of signification, and found a refuge. (shrink)

A citizen of Early Renaissance Florence that stepped out into the streets and entered the spaces of his civic world joined a concert of creative formal behaviors in which he was at once an actor and a spectator. His problem here was to interpret the complex web of overlapping, conflicting and simultaneous meanings he would have read in the actions and images by which the community directed him and represented itself, and find his own place and set his standing. On (...) most occasions he would probably have elected for a state of suspension, a floating of multiple possibilities he was loath to precipitate in too stable a form: in ambiguity the citizen of Florence developed a richness of signification, and found a refuge. (shrink)

A critical survey of the main philosophical theories about events and event talk, organized in three main sections: (i) Events and Other Categories (Events vs. Objects; Events vs. Facts; Events vs. Properties; Events vs. Times); (ii) Types of Events (Activities, Accomplishments, Achievements, and States; Static and Dynamic Events; Actions and Bodily Movements; Mental and Physical Events; Negative Events); (iii) Existence, Identity, and Indeterminacy.

This paper is concerned with certain ontological issues in the foundations of geographic representation. It sets out what these basic issues are, describes the tools needed to deal with them, and draws some implications for a general theory of spatial representation. Our approach has ramifications in the domains of mereology, topology, and the theory of location, and the question of the interaction of these three domains within a unified spatial representation theory is addressed. In the final part we also consider (...) the idea of non-standard geographies, which may be associated with geography under a classical conception in the same sense in which non-standard logics are associated with classical logic. (shrink)

This contribution explores the role that the Sense of Responsible Togetherness (SoRT) exerts with reference to Participation and Sense of Community. The study was conducted on a university campus, as campuses represent places where academic and community lives go hand in hand and the community is heterogeneous. A questionnaire with the SoRT scale, the Participation scale and the Italian Scale of the Sense of Community (SISC) was administered to 130 university students. SoRT had a significant indirect effect on the students’ (...) Participation via their Sense of Community, suggesting that the promotion of individuals’ Sense of Responsible Togetherness within their community, along with the emotional and affective bond to it, may allow us to recover symbolic and physical spaces in which participation can be fostered. A need for and significance of interventions aimed at promoting collective actions within intermediate systems (groups, educational systems, work ones, etc.). (shrink)

Neste artigo, temos como objetivo perscrutar o funcionamento da verbo-visualidade de uma perspectiva dialógica do discurso, utilizando, como material de análise, uma videomontagem humorística acerca do ator político Dilma Rousseff, durante a campanha presidencial brasileira do ano de 2010. Primeiramente, procuramos refletir acerca de alguns pressupostos teórico-metodológicos de Bakhtin e de Brait, qual seja, o de verbo-visualidade, alicerçado na concepção bakhtiniana de linguagem. Em um segundo momento, detivemo-nos na análise do texto objeto do artigo, que se pautou na seguinte indagação: (...) como contribuem e funcionam os elementos verbais e visuais para produção e direcionamento de sentidos na videomontagem? Nossa hipótese é a de que os discursos carregados pela montagem criam uma trilha ideológica de sentido que leva os interlocutores a interpretar a então candidata como uma pessoa sem discurso, manipulável. Diante do exposto, tentaremos demonstrar a hipótese que sustentamos. (shrink)